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bang bang

IVE Turn Up the Heat With ‘BANG BANG’ Ahead of REVIVE+

Wednesday, February 04, 2026

BTS THE COMEBACK LIVE | ARIRANG

The Comeback of a Generation: BTS Announce Live Global Event and Documentary

Wednesday, February 04, 2026

Blue Valentine

“Blue Valentine” Marks a New Milestone for NMIXX on U.S. Radio

Monday, January 26, 2026

IVE

IVE Builds Anticipation for REVIVE+ With Concept-Driven Spoiler Images

Monday, January 26, 2026

IVE

IVE Teases New Era REVIVE+ Ahead of Late February Return

Monday, January 26, 2026

IVE is officially setting the tone for its February comeback with the release of a cinematic coming soon film that puts all six members in the spotlight.

On January 24, Starship Entertainment shared the group coming soon film group version and director’s cut through IVE’s official social media channels. The release marks the final chapter of the teaser series and signals the start of the group’s next era.

The first video opens with a sharp guitar riff and the appearance of Liz’s signature red vintage car. The members are shown walking with purpose, as if heading toward an unknown destination, building curiosity around the upcoming release.

The director’s cut brings together unreleased footage from the previously revealed individual films, weaving them into a single cinematic sequence that plays like an omnibus series. Jang Wonyoung appears in a white trench coat, moving through a corridor with a commanding presence. This transitions to Leeseo, dressed in a pink gown and sunglasses, pulling a suitcase overflowing with glitter through a tunnel.

Rei is shown holding a microphone and gazing into a mirror as she shifts between expressions, while Liz climbs into her red vintage car and drives off. Gaeul performs under purple lighting as glitter fills the frame, and An Yujin closes the sequence with a playful smile, holding a hair dryer and leaning into a more relaxed, youthful moment. Together, the film highlights six distinct moods and personalities.

Midway through the video, Rei is seen marking a specific date on a calendar, adding another layer of intrigue. The film ends with a sharp alarm sound, followed by the words COMING SOON and the title REVIVE+ filling the screen.

As IVE prepares for its late February return, the group continues to build momentum through visuals that showcase both concept range and individual charm. With the reveal of REVIVE+, fans around the world are already speculating about what direction the new release will take.

IVE will release a pre-release track on February 9, ahead of the full comeback scheduled for later this month.

billboard

IVE’s “XOXZ” Named One of Billboard’s Best K-pop Songs of 2025

Sunday, December 21, 2025

IVE continues to strengthen its position as one of K-pop’s leading groups, with “XOXZ” earning recognition as one of the best K-pop songs of 2025. Billboard staff selected the track for its annual list, highlighting the group’s growing global impact and artistic confidence.

According to Billboard’s The 25 Best K-pop Songs of 2025: Staff Picks, released on December 18 local time, IVE’s “XOXZ” stood out as a defining release of the year. The song, which serves as the title track of IVE’s fourth mini album IVE SECRET, drew praise for its emotional depth and refined musical structure.

Inspired by the expression “XOXO,” “XOXZ” presents a coded message that blends affection with emotional complexity. Built around the sentiment of “I love you, good night, and see you in your dreams,” the track explores layered feelings rather than a single emotion, earning strong responses from listeners worldwide.

Billboard described the song as mysterious yet emotionally resonant, noting that it delivers a deep emotional pull without the need for explanation. The publication highlighted the contrast between low-tone rap in the chorus and flowing high melodies, supported by an 808 bass and restrained vocals that amplify emotional shifts. Billboard also praised IVE’s evolving narrative of self exploration, emphasizing the group’s clear confidence and bold attitude.

Since debuting in 2021 with “ELEVEN,” IVE has consistently built its identity around self belief. Earlier this year, the group expanded that message with “REBEL HEART,” the pre-release track from their third mini album IVE EMPATHY, shifting the focus from “me” to “us.” That release achieved a perfect all-kill on domestic charts. It was followed by the title track “ATTITUDE,” which sparked widespread challenges, and “XOXZ,” which gained renewed popularity through chart reversal. Together, these releases marked three major hits in 2025 and brought IVE a total of 20 music show wins this year alone, pushing their career total to 74 trophies.

IVE’s success extended beyond streaming and broadcasts. Both IVE EMPATHY and IVE SECRET surpassed one million copies in first-week sales, securing the group’s seventh consecutive million-seller achievement. On Billboard, IVE reached number one on the Emerging Artists chart, entered the Billboard Artist 100, and ranked across World Albums, Top Current Album Sales, Top Album Sales, and Global charts excluding the US. The group also collected 22 trophies at major award ceremonies this year, including grand prizes.

The group’s global presence continued through major live stages. Following last year’s appearance at Lollapalooza Chicago, IVE returned in 2025 with performances in Berlin and Paris, becoming the first K-pop girl group to appear at the festival for two consecutive years. They also energized audiences at Rock in Japan Festival 2025, reinforcing their reputation as a strong live act.

IVE launched its second world tour SHOW WHAT I AM with shows at Seoul’s KSPO DOME from October 31 to November 2. The tour will continue across Asia, Europe, the Americas, and Oceania, with a scheduled stop at Kyocera Dome Osaka in April 2026. As the year comes to a close, IVE remains active across multiple stages, closing out 2025 with continued momentum.

body

WJSN Dayoung Steps Forward with “body” and a Breakout Solo Year

Saturday, December 20, 2025

WJSN’s Dayoung has emerged as one of 2025’s standout solo debuts, with her first single “body” earning widespread recognition from major international media outlets. Both Billboard and Teen Vogue have named the track among the best K-pop releases of the year, praising its music, performance, and visual identity.

On December 18 local time, Billboard revealed its list of The 25 Best K-pop Songs of 2025: Staff Picks, where “body” secured a spot. The publication described Dayoung’s solo debut as a clear departure from her work with WJSN, highlighting a new performance-driven identity. Billboard noted the song’s sharp beat, solid bassline, and addictive chorus, adding that her bright and confident vocals complete a summer-ready pop dance track with strong impact.

Teen Vogue also spotlighted Dayoung’s debut, calling “body” one of the most unexpected yet impressive solo releases of the year. The magazine wrote that while the song appeared to arrive suddenly as it climbed streaming platforms and domestic charts, Dayoung’s debut was carefully planned. Teen Vogue praised her preparation and passion, describing her as the pop star audiences had been waiting for.

The outlet further highlighted the “body” music video, noting its focus on choreography rather than flashy editing. According to Teen Vogue, Dayoung’s natural charisma shines through varied dance movements and poses, elevating the video’s overall quality. The publication described her transformation as a solo artist as the defining girl-crush pop moment of the summer.

Released in September, “body” serves as the title track of Dayoung’s solo debut digital single “gonna love me, right?”. Built on a rhythmic beat and catchy hook, the song showcases her clear vocals and marks a meaningful step forward in her artistic identity. Through the track, Dayoung presented a more defined musical world and a sincere approach to new challenges.

The music video drew attention for its bold styling and energetic performance. Filmed across open spaces such as empty lots, outdoor pools, and gardens, the video turned each setting into Dayoung’s stage. One-take-style shots emphasized movement and performance, reinforcing her passion and solid skill as a performer.

Throughout the year, Dayoung continued to build momentum as a solo artist. “body” earned her a music show win, while her challenge videos with fellow K-pop artists, actors, dancers, and creators gained traction both locally and globally. She followed up with promotions for the b-side “number one rockstar,” further solidifying her stage presence. Last month, she was awarded Best Solo Artist Female at the 2025 KGMA.

International attention continued to grow as outlets such as NME, Forbes, FOX 13 Seattle, and multiple MTV channels covered her solo debut. “body” was also selected for NME’s list of the 25 Best K-pop Songs of 2025, reinforcing its impact alongside recognition from Billboard and Teen Vogue.

Dayoung is set to appear later today at the 2025 KBS Gayo Daechukje Global Festival, held at Incheon Songdo Convensia, continuing a year that firmly established her as a global solo artist.

Gwang (INSANITY)

MONSTA X’s Jooheon Sets January Return with New Solo Album

Saturday, December 20, 2025

MONSTA X’s Jooheon is officially opening 2026 with new solo music. On January 5, he will release his second mini album, Gwang (INSANITY), marking his first solo comeback in nearly three years.

On December 18, Starship Entertainment surprised fans by unveiling a coming-soon video and concept spoiler illustration through MONSTA X’s official social media channels. The short teaser immediately set the tone for the release, featuring a bold red background layered with rough noise textures that hinted at an intense and hip atmosphere. At the center of the video was the album’s logo, inspired by the Chinese character for light, 光, while the release date, January 5, 2026, appeared at the bottom, confirming the long-awaited return.

Alongside the video, a black-and-white concept illustration drew attention with its comic-style storytelling. Set in an apartment hallway, the image featured detailed elements such as a bee symbol associated with Jooheon, a man running forward, and posters lining the walls. The visual suggested movement, tension, and narrative depth, offering subtle clues about the story behind the album.

Gwang (INSANITY) arrives approximately two years and eight months after Jooheon’s first solo album, Lights, released in May 2023. That debut project saw him take full control as a producer and creator, earning recognition as an all-rounder artist. With this second mini album, expectations are high for an even deeper musical identity and a stronger conceptual vision.

Even before his official solo debut, Jooheon proved his global reach through mixtapes. His 2018 release DWTD (Do What They Do) charted on Billboard’s World Albums and ranked high on iTunes. In 2020, Psyche entered the top tier of iTunes Top K-pop Album charts in 30 countries and reached No. 2 on the Worldwide Album Chart.

His producing strength continues to stand out in MONSTA X’s group work as well. Recently, Do What I Want, a track he co-wrote and co-composed, gained international recognition. British magazine DAZED named it one of the Best K-pop Tracks of 2025, while Teen Vogue selected it as one of the Best Music Videos of the year.

Meanwhile, MONSTA X are celebrating their 10th anniversary with ongoing global activities. The group recently won two awards at the 10th Anniversary AAA 2025, taking home AAA History of K-pop and AAA Best Artist. They are also meeting fans across four US cities as part of the 2025 iHeartRadio Jingle Ball Tour.

Jooheon’s January 5 solo release will be followed by group activities when MONSTA X launch their new world tour, THE X : NEXUS, starting January 30 at Seoul’s KSPO Dome. With solo and group projects lined up back to back, Jooheon is set to begin 2026 at full speed.

K-music

DAZED Names KiiiKiii’s “DANCING ALONE” Among 2025’s Best K-pop Tracks

Saturday, December 20, 2025

K-pop girl group KiiiKiii is continuing to draw global attention, marking another major milestone with international recognition for their debut-era music. The Gen Z–coded group, made up of Jiyu, Isol, Sui, Haeum and Kiya, has been spotlighted by UK magazine DAZED, further cementing their growing presence beyond Korea.

On December 16, DAZED revealed its list of “The 30 Best K-pop Tracks of 2025”, naming KiiiKiii’s “DANCING ALONE” among the selected tracks. The inclusion placed the group alongside some of the most talked-about K-pop releases of the year, underscoring the impact of their debut single on a global scale.

DAZED introduced KiiiKiii as a hidden gem that delivered one of the most visually interesting debuts in recent memory. The magazine praised the group’s natural yet distinctive aesthetic, noting that “DANCING ALONE” reflects their approach of portraying ordinary girls in an honest and relatable way. The track was described as playful but quietly moving, unraveling layered emotions tied to friendship, secrets, love and misunderstandings. According to the publication, the song moves between excitement, warmth and moments that gently ache, leaving a lasting impression.

Released in August as the title track of KiiiKiii’s first digital single album, “DANCING ALONE” blends city pop and retro synth pop into a polished dance track. Despite its fast tempo, the song carries a relaxed groove paired with a bright, direct melody. Its vivid portrayal of friendship and candid lyrics resonated with listeners, pushing the track to a peak of No. 3 on the Melon HOT100 chart within 30 days of release.

The song’s reach quickly expanded overseas. “DANCING ALONE” entered the iTunes Top Songs charts in Thailand, Hong Kong, Taiwan, Vietnam, France and Japan. It also ranked on the iTunes Top K-pop Songs charts in Japan, the United Kingdom, Brazil, Turkey, Taiwan and Hong Kong, drawing attention from listeners across multiple regions.

DAZED’s evaluation was echoed visually through the song’s music video. Set against familiar backdrops such as schools, riversides and bowling alleys, the video captures fleeting moments of friendship. Scenes of sharing earphones, tying each other’s hair and eating ice cream together evoke memories many viewers recognize from their own lives. These everyday gestures sparked wide-ranging empathy across age groups and nationalities, helping the video climb YouTube’s trending music video charts.

KiiiKiii also extended the life of “DANCING ALONE” through a collaborative project with producer Park Moon Chi. The group released an album that reinterpreted the song through sounds spanning from the 1990s to the present, including remixes rooted in 90s R&B, future bass and EDM. The project highlighted the group’s willingness to explore different musical eras and styles.

Their momentum carried onto major stages overseas. In August, KiiiKiii appeared at Kansai Collection 2025 A/W at Kyocera Dome Osaka, followed by a performance at Music Expo Live 2025 at Tokyo Dome in November. They were the only K-pop girl group on the lineup and received coverage from major local media outlets, reinforcing their rising profile in Japan.

Beyond music, KiiiKiii has expanded their influence across fashion, beauty, finance and the food and beverage industry. As brand models, the group ranked No. 1 in the rookie idol group brand reputation for four consecutive months. They also took first place in the Rookie Female Idol category at the 2025 Brand Customer Loyalty Awards and most recently topped the December 2025 rookie idol group brand reputation rankings.

Their achievements have been reflected on the awards circuit as well. This year, KiiiKiii claimed seven rookie awards, along with a Best Performance trophy. The group was also named by US magazine Stardust as one of the “10 Rookies to Watch in 2026” and appeared as a global breakout search term under the “KPop Debuts” category in Google’s Year in Search 2025 project.

KiiiKiii is set to continue this run when they take the stage at the 2025 Melon Music Awards on December 20 at Seoul’s Gocheok Sky Dome, where they will meet fans once again.

do what i want

DAZED Names MONSTA X Among 2025’s Best K-pop Tracks

Thursday, December 18, 2025

MONSTA X has once again proven their global staying power, earning recognition across both the US and UK as they enter their tenth year as a group.

On December 16, UK magazine DAZED revealed its list of “The 30 Best K-pop Tracks of 2025”, naming MONSTA X’s “Do What I Want” among the selected songs. DAZED cited the group’s strong musical identity and high level of completion as key reasons for the track’s inclusion, highlighting how MONSTA X continues to stand out in a fast-changing K-pop landscape.

“Do What I Want” was pre-released in September ahead of the official launch of the mini album “THE X”. The song was composed by member Joohoney, with lyrics written by Joohoney and I.M. Together, the track captures the confidence and raw energy of a decade-long career, delivering a refined but fearless sound that offers listeners a powerful sense of release.

DAZED noted that even after completing military service, MONSTA X shows no intention of letting go of the intense chaos that defined their early years. Instead, the publication observed that the new song strengthens their signature style even further. The magazine also pointed out that as a third-generation group in the era of fifth-generation idols, MONSTA X choosing to stay true to the music that fits them best feels especially timely as they mark their 10th anniversary.

The praise ended on a simple but striking note, with DAZED stating that the music is truly outstanding. The comment underscored how MONSTA X continues to combine their trademark intensity with the depth that comes from experience, maintaining an irreplaceable presence through their sound alone.

This recognition aligns with the group’s recent achievements. MONSTA X took home two awards at the 10th Anniversary Asia Artist Awards 2025, winning AAA Best Artist and AAA History of K-pop. The confidence highlighted by DAZED was also acknowledged on stage, reaffirming the group’s long-standing impact.

Earlier, MONSTA X released the mini album “THE X” in September, debuting at No. 31 on the Billboard 200. The album also charted on World Albums, Independent Albums, Top Album Sales, Top Current Album Sales and the Billboard Artist 100, further demonstrating the group’s continued global reach.

That momentum has carried into their current US activities. As part of the 2025 iHeartRadio Jingle Ball Tour, MONSTA X performed in major cities including New York, Philadelphia and Washington DC. Their shows were met with explosive sing-alongs from local fans, showcasing why they are widely regarded as a group you can trust to deliver on stage.

MONSTA X will wrap up the Jingle Ball Tour with a performance in Miami on December 20. They will then begin their new world tour, “THE X : NEXUS”, with three nights at Seoul’s KSPO DOME from January 30 to February 1, 2026, officially launching the next chapter of their global journey.

idle

Bangkok Roots, Global Reach for SORN and MINNIE

Saturday, December 13, 2025

ALLDAY PROJECT

A Group Without Limits, ALLDAY PROJECT Step Forward With Their First EP

Tuesday, December 09, 2025

THEBLACKLABEL’s breakout co-ed group, ALLDAY PROJECT, has released their highly anticipated first-ever EP, “ALLDAY PROJECT”, marking a defining milestone in their young career as they close out a successful debut year. The release arrives alongside the bright and unrestrained title track “LOOK AT ME”, and features a total of three group tracks and three unit/solo performances that showcase a wide range of styles, further reinforcing the group’s reputation as artists who refuse to be defined by boundaries. Listen HERE and watch the accompanying music video HERE.

After debuting last June with “FAMOUS,” which became a runaway smash and entered the Billboard Global 200 at #43, the group returned just three weeks ago with “ONE MORE TIME,” unveiling a bold new direction that quickly climbed to #1 on YouTube’s Trending Music Videos worldwide - and a preview of what was still to come.

Now enters their debut self-titled EP, “ALLDAY PROJECT”, placing the group’s name front and center - a bold statement of who they are and an assertion of their identity. Their refusal to set limits, whether on themselves or on what they pursue, radiates with confidence, and that mindset is evident from the album’s title alone. Where each member’s world collides, something new takes shape. Across six tracks, the project unveils the multidimensional spectrum of ALLDAY PROJECT’s sound - combining fluid genre shifts, emotional depth, and the dynamic synergy that defines them both as individuals and as a collective. The album is anchored by three core group tracks: “ONE MORE TIME,” “LOOK AT ME,” and the atmospheric “YOU AND I.”

“LOOK AT ME” explodes with bright, bold energy, pairing jersey club rhythms with melodic vocals and sharp rap verses to capture the group’s confident, magnetizing presence. In contrast, “YOU AND I” trades intensity for emotion, blending soft atmospheric tones with an Afrobeat pulse to reveal a more delicate side, highlighted by YOUNGSEO’s standout vocal performance.

The EP’s unit and solo tracks spotlight the members’ individuality while expanding the group’s sonic spectrum. ANNIE and WOOCHAN deliver the playful hip-hop track “WHERE YOU AT”, trading sharp verses over a stripped-back beat that builds into an electrifying dance finale. “HOT” showcases TARZZAN and BAILEY’s effortless chemistry through a rhythm-shifting, early-2000s-inspired hip-hop groove, balancing carefree confidence with melodic swagger. The project culminates with TARZZAN’s solo performance on “MEDUSA,” a rage-inspired anthem driven by gritty distortion, sharp synths, and a commanding hook that acts as a fierce self-portrait.

ALLDAY PROJECT continues to redefine what a group act can be - uniting multi-talented artists celebrated for their artistry in rap, vocals, choreography, and fashion. As one of the few co-ed groups in modern music and the first under THEBLACKLABEL, they embody the label’s forward-thinking spirit and creative freedom.

Founded by Teddy Park (a.k.a. TEDDY), THEBLACKLABEL is home to artists including MEOVV, JEON SOMI, Vince, BIGBANG’s TAEYANG, and BLACKPINK’s ROSÉ.

K-music

Spotify Wrapped 2025 Reveals the Artists and Songs That Defined K Pop

Friday, December 05, 2025

Spotify has unveiled the Global Top K-Pop Artists and Songs of 2025 as part of its annual Wrapped campaign, celebrating the artists, sounds, and global trends that emerged - and showing fans how their own listening fi ts into the picture.

This year in music, K-Pop continued to shape the soundtrack of millions of listeners around the world, with fans turning to Spotify to connect with the songs and artists they love.

Underscoring its global popularity, listeners streamed more than 181 billion minutes of K-Pop in 2025, and the genre’s top markets on Spotify spanned continents - with the United States, Indonesia, Japan, the Philippines, Brazil, Mexico, Thailand, Taiwan, India, and South Korea coming in as the biggest K-Pop listeners.

This year’s 2025 Spotify Wrapped K-Pop Top Lists tell the story of iconic fan favorites, the genre reaching new dimensions of global impact, and the biggest cultural moments shaped by power of the fandom.

Presenting the Global Top K-Pop Artists and Songs of 2025 Spotify Wrapped

BTS has once again emerged as the most-streamed K-Pop artist of the year, taking the #1 spot on the list of Global Top K-Pop Artists of 2025 Wrapped. Next are Stray Kids at #2, followed by BLACKPINK members JENNIE (#3) and ROSÉ (#4). HUNTR/X (#5), from KPop Demon Hunters, completes this year's Top 5.

This year’s Global Top K-Pop Songs of 2025 Wrapped highlight the wide range of sounds and moments from the genre that resonated with listeners worldwide. On top of the list of most-streamed K-Pop songs of 2025 is “APT.” by ROSÉ and Bruno Mars. “Golden” by HUNTR/X, EJAE, AUDREY NUNA, REI AMI, and KPop Demon Hunters Cast earned second spot, followed by Jimin’s “Who” (#3), “Don’t Say You Love Me” by Jin (#4) and “like JENNIE” by JENNIE (#5).

2025 SPOTIFY WRAPPED GLOBAL TOP K-POP LISTS

Global Top K-Pop Artists of 2025

1. BTS
2. Stray Kids
3. JENNIE
4. ROSÉ
5. HUNTR/X
6. TWICE
7. BLACKPINK
8. Jung Kook
9. ENHYPEN
10. KATSEYE
11. Jimin
12. LE SSERAFIM
13. Jin
14. LISA
15. SEVENTEEN
16. NewJeans
17. aespa
18. j-hope
19. TOMORROW X TOGETHER
20. Saja Boys

Global Top K-Pop Songs of 2025

1. “APT.” by ROSÉ, Bruno Mars
2. “Golden” by HUNTR/X, EJAE, AUDREY NUNA, REI AMI, KPop Demon Hunters Cast
3. “Who” by Jimin
4. “Don’t Say You Love Me” by Jin
5. “like JENNIE” by JENNIE
6. “Your Idol” by Saja Boys, Andrew Choi, Neckwav, Danny Chung, KEVIN WOO, samUIL Lee, KPop Demon Hunters Cast
7. “Soda Pop” by Saja Boys, Andrew Choi, Neckwav, Danny Chung, KEVIN WOO, samUIL Lee, KPop Demon Hunters Cast
8. “Seven (feat. Latto)” by Jung Kook, Latto
9. “How It’s Done” by HUNTR/X, EJAE, AUDREY NUNA, REI AMI, KPop Demon Hunters Cast
10. “Gabriela” by KATSEYE
11. “What It Sounds Like” by HUNTR/X, EJAE, AUDREY NUNA, REI AMI, KPop Demon Hunters Cast
12. “JUMP” by BLACKPINK
13. “Winter Ahead (with PARK HYO SHIN)” by V, Park Hyo Shin
14. “Free” by Rumi, Jinu, EJAE, Andrew Choi, KPop Demon Hunters Cast
15. “Takedown” by HUNTR/X, EJAE, AUDREY NUNA, REI AMI, KPop Demon Hunters Cast
16. “Gnarly” by KATSEYE
17. “Touch” by KATSEYE
18. “3D (feat. Jack Harlow)” by Jung Kook, Jack Harlow
19. “Born Again (feat. Doja Cat & RAYE)” by LISA, Doja Cat, RAYE
20. “toxic till the end” by ROSÉ

IVE Turn Up the Heat With ‘BANG BANG’ Ahead of REVIVE+

The Comeback of a Generation: BTS Announce Live Global Event and Documentary

“Blue Valentine” Marks a New Milestone for NMIXX on U.S. Radio

IVE Builds Anticipation for REVIVE+ With Concept-Driven Spoiler Images

IVE Teases New Era REVIVE+ Ahead of Late February Return

IVE’s “XOXZ” Named One of Billboard’s Best K-pop Songs of 2025

WJSN Dayoung Steps Forward with “body” and a Breakout Solo Year

MONSTA X’s Jooheon Sets January Return with New Solo Album

DAZED Names KiiiKiii’s “DANCING ALONE” Among 2025’s Best K-pop Tracks

DAZED Names MONSTA X Among 2025’s Best K-pop Tracks

Bangkok Roots, Global Reach for SORN and MINNIE

A Group Without Limits, ALLDAY PROJECT Step Forward With Their First EP

Spotify Wrapped 2025 Reveals the Artists and Songs That Defined K Pop

Presenting the Global Top K-Pop Artists and Songs of 2025 Spotify Wrapped

2025 SPOTIFY WRAPPED GLOBAL TOP K-POP LISTS

Global Top K-Pop Artists of 2025

Global Top K-Pop Songs of 2025

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